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Law & Order TV Show, the longest running crime series and the second longest running drama series in the history of American broadcast television, has entered its 18th season in the beginning of January, 2008. The show has won 1997 Emmy Award for Outstanding Drama series. Each hour long episode starts with a prologue-
“In the criminal justice system, the people are represented by two separate, yet equally important, groups: the police, who investigate crime, and the district attorneys who prosecute the offenders. These are their stories.”
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Law & Order: Criminal Intent
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Since his health scare in 2005, Vincent D’Onofrio has appeared in only half the episodes of this show, alternating the lead with former Law & Order star Chris Noth. This may explain the show’s declining fortunes. With his quirks, twitches and improbable feats of deduction, D’Onofrio’s Detective Goren can be annoying but does provide this version of the Law & Order stable with a point of difference. Without him it’s just another cop show and that’s what we get tonight.
When a witness in a rape trial is murdered the morning she is to give evidence, detectives Logan (Noth) and Falacci (Alicia Witt) find themselves up against an ambitious and unco-operative assistant DA and a cranky football coach determined to protect his players.
The episode unfolds with the requisite twists and turns and races to a satisfying conclusion, even if Noth looks as though he’d rather be somewhere else. Witt, on the other hand, plays his hot-headed partner as if there’s no tomorrow, which was more or less the case. Her short run on the show ended one episode later when Julianne Nicholson returned from maternity leave to resume her role as Logan’s regular partner, Detective Wheeler.
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Guess who’s coming to TV dinner?
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A guest role on a TV show can do wonders for a flagging career. Diane Holloway reports.
WHEN the Emmy nominations were announced recently, the names of Steve Buscemi, Polly Bergen, Robin Williams and Cynthia Nixon were not called out.
Yet they all received Emmy nominations for spectacular performances. And we probably won’t hear any of their names announced during the telecast awards show on September 21.
Why the lack of hype for these major stars? Because their categories of competition are “guest actor” and “guest actress”. For nearly two decades, the Academy of Television Arts & Sciences has been bestowing Emmys to guest stars. The nominees tend to be big-name stars, and their brief appearances on ongoing series generate heightened interest.
It might be an exaggeration, but some experts credit scandal-ridden pop star Britney Spears with saving the sitcom How I Met Your Mother. Her quick spot generated tons of publicity for the ratings-challenged show – and helped Spears make a well-groomed, mainstream appearance. She didn’t land an Emmy nod, but she had a major impact on the show.
Guest starring certainly seems to be a win-win prospect. Actors usually get juicy, against-type roles to play, and the shows benefit from the publicity and audience response.
One of the biggest headlines generated from the recent TV critics gathering in Los Angeles was the revelation that Katie Holmes will sing and dance on an upcoming episode of Eli Stone. Holmes, perhaps best-known as Mrs Tom Cruise these days, might be a wonderful hoofer and warbler, but we’ve never seen it. Her guest spot gives her a chance to do something different.
Holmes isn’t the only big name on the small-screen horizon: Michael J. Fox will appear in a trio of episodes of Rescue Me. And comedy-drama Chuck has lined up a long roster of guests, including Nicole Richie, John Larroquette and Michael Clarke Duncan.
As far back as The Love Boat, veteran stars have been reviving their careers with TV guest spots. Long-running dramas ER and Law & Order boast dozens and dozens of famous actors.
Dick Wolf, creator-executive producer of Law & Order, once bragged that he has hired every New York actor with a Screen Actors Guild card at least once. Broadway and off-Broadway stars play criminals, defence attorneys and judges. Tennis legend Billie Jean King popped up for about 10 seconds last season as a judge, and Oscar winner Julia Roberts played a supporting role a few seasons ago – back when Benjamin Bratt was on the show and she was dating him.
Obviously some of this is pure stunt casting, done less for dramatic or even comedic effect than for hype. Brad Pitt set off screams in the studio audience when he guest-starred with Jennifer Aniston on Friends. Elizabeth Taylor provided baby Maggie with her first and only word (”daddy”) on The Simpsons, which also has featured guest voices by Michael Jackson and at least a hundred others.
Some series, especially those that are long in the tooth, depend on guest roles to keep them fresh – especially when an actor can be cast against type. A prime example? Late in its run, Will & Grace guest-starred Bobby Cannavale, known for playing macho thugs and cops, as a gay guy.
Glenn Close found her Emmy-nominated experience on The Shield so enriching that she helped create her own starring vehicle, Damages. She just earned her second lead actress Emmy nomination for that suspense thriller show.
“We’ve got some of the best writing coming out of television,” Close said in Los Angeles recently. “Some people say we’re in a new ‘golden age’ of TV. You don’t get this calibre of writing in feature films.”
Other guest stars who have parlayed brief roles into starring vehicles include Elizabeth Reaser, who played the physically deformed Ava on Grey’s Anatomy and now heads into new comedy-drama The Ex List; Anthony LaPaglia, who somehow turned an over-the-top comic guest spot on Frasier (as Daphne’s drunken brother) into the steely faced lead on Without a Trace.
Some actors aren’t looking for full-time series work. They just want a worthy vehicle to test their acting chops and keep them in the public eye.
Oscar-winner Forest Whitaker took chilling turns in multiple episodes of gritty police drama The Shield and ER. Writers gave him a lot to chew on, and the actor turned in performances of sheer brilliance. Both shows, not coincidentally, saw spikes in the ratings results during his tenure.
These guests might not get showcased on Emmy night, but they’re welcome additions on lucky shows.
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Law and Order season 18 intros with new cast
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Samuel A Waterston was born on November 15, 1940 in Cambridge, Massachusetts. His father was an English immigrant while his mother was a Mayflower descendent. Waterston grew up attending private and boarding schools. In 1958 he received a scholarship to attend Yale University and studied French and history. He graduated in 1962 with his Bachelor of Arts degree. He then received an honorary degree from Yale in 2001.
Following college, Waterston began studying acting at the Clinton Playhouse. He also studied at the Sorbonne in Paris as well as the American Actors Workshop. By 1967, Waterston had begun to make his way into films with his debut in Fitzwilly. Other films he has starred in include The Great Gatsby (1974), Heaven’s Gate (1980), The Killing Fields (1984) and Crimes and Misdemeanors (1989). Throughout his career as an actor, Waterston has won a Golden Globe Award, multiple Screen Actors Guild Awards, and has also been nominated for an Emmy Award six times.
Other than films, Sam has also landed starring roles in several Broadway plays including Abe Lincoln in Illinois, where he played Lincoln. His performance in the play won him a Tony award in 1994 for Best Actor.
Sam is perhaps best known for his role as Executive Assistant District Attorney Jack McCoy on the television series produced by Dick Wolf, ‘Law & Order’ which has been running on NBC for 17 seasons now. Other cast members on the show include Chris Noth, Mariska Hargitay, Fred Thompson, Vincent DOnofrio and Jesse L Martin.
Waterston is also the spokesperson for TD Waterhouse, the investment company, and has appeared in several of their television commercials. He has also worked on several other television shows including I’ll Fly Away, where he played D.A. Forrest Bedford. Waterston has also lent his voice as a guest star in an episode of Family Guy.
Aside from acting, Waterston is involved in donating his time and money to charitable organizations such as Refugees International, Meals on Wheels, The United Way and The Episcopal Actors’ Guild of America. He also sits on the Advisory Committee for the Lincoln Bicentennial, which is celebrating Abraham Lincoln’s 200th birthday.
From 1964-1969 Sam was married to Barbara Rutledge-Johns, with whom he had one son. He then married Lynn Louisa Woodruff in 1976, with whom he has three children. Currently Waterston, his wife, and four children live in Connecticut. Two of his children, Elizabeth Waterston and James Waterston, have both decided to follow in the footsteps of their father and pursue careers in acting.
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S. Epatha Merkerson Biography
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Actress. Born November 28, 1952, in Saginaw, Michigan. Merkerson was raised in Detroit, where her father worked in a factory and her mother was a post office administrator. She initially majored in dance at Wayne State University in Detroit, but when a shy friend begged Merkerson to accompany her to a drama class, she discovered her true passion. She graduated with a Bachelor of Fine Arts degree, and in 1978 moved to New York City to pursue an acting career.
The fledgling actress first worked on the stage, appearing in several Broadway and off-Broadway productions. Her portrayal of Berniece in August Wilson’s The Piano Lesson earned her a Tony Award nomination for best actress and many other accolades, including the Drama Desk Award and the Helen Hayes Award.
Merkerson’s first major television role came in 1986, when she played Reba the Mail Lady in the now infamous Pee Wee’s Playhouse. She stayed with the show until 1991 and still keeps in touch with its delightfully preposterous host, Paul Reubens. Merkerson also made the move to the big screen during this time, appearing as Doctor Robinson in the Spike Lee joint She’s Gotta Have It and as Elsa in the critically acclaimed psycho-thriller Jacob’s Ladder (1990) with Tim Robbins.
In 1990 things did not slow down for Merkerson. She appeared in the TV movie Equal Justice, the comedy Loose Cannons with Dan Akroyd and Gene Hackman, the action-adventure film Navy Seals, and as a guest on NBC’s Law & Order. On Law & Order, she portrayed a grief-stricken mother in the episode “Mushrooms,” in which a botched drug-related crime claims the life of her baby and leaves her son paralyzed. In 1993, the producers of Law & Order offered Merkerson a permanent role, slating her to play the tough but wise Lieutenant Anita Van Buren.
Merkerson’s role as Lt. Anita Van Buren has brought the actress many personal and professional challenges during her six-year-and-running stay on Law & Order. The program raises many important, though delicate, issues about an extremely competent black woman working among a white male majority. On several occasions, the show’s writers had her character make unlikely mistakes, but Merkerson has always fought to maintain Van Buren’s integrity as a highly competent lieutenant. This tension finally culminated on-screen when Merkerson’s character filed a discrimination lawsuit against her department. Because 95 percent of the scripts are based on current news stories, many of the plot lines hit uncomfortably close to home; but Merkerson has said that the cast’s constant goofing around on the set helps to leaven the weighty subject matter.
Merkerson has supplemented her work on Law & Order with myriad acting jobs, appearing onTV in Hallmark’s A Place for Annie with Sissy Spacek and in the NBC series Mann and Machine, created by Law & Order executive producer Dick Wolf. She appeared in ABC’s Breaking Free alongside JoBeth Williams, USA’s A Mother’s Prayer with Linda Hamilton, and An Unexpected Life with Stockard Channing and RuPaul. She has also returned to the stage, winning an Obie Award in 1992 for her work in I’m Not Stupid, as well as the Helen Hayes Award in 1998 for best lead actress in the Studio Theatre production of The Old Settler in Washington, D.C. Her most recent film credit was a smallish part in 1999’s Random Hearts, a poorly received Harrison Ford vehicle.
Many of Merkerson’s fans wonder what the mysterious “S” in her name stands for–it’s Sharon. She and her husband, Toussaint L. Jones, split their time between a New York City apartment and a house in Maryland.
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Steve Zirnkilton
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Steve Zirnkilton is the signature voice of NBC’s critically acclaimed Law & Order franchise; which in addition to the “mothership” includes Law & Order: Special Victims Unit and Law & Order: Criminal Intent. Now in its 18th year on NBC, Law & Order is the longest running drama currently on prime time television.
Among others, Steve’s credits include; NBC, CBS, ABC, CNN, TLC, TNT, TBS, ESPN, MSNBC, Discovery and the Cartoon Network. His voice has been heard on The Tonight Show with Jay Leno as well as the animated series Family Guy and Duckman. He was also the voice of the reporter in the animated feature film Rugrats: The Movie. Baseball fans can hear him as the narrator on the documentary film Faith Rewarded, a film about the Boston Red Sox historic World Championship season.
Steve has been the live announcer for the Kennedy Center Honors and the Top Cops Awards in Washington, D.C.
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Watch Law & Order TV Show Online
(1 votes, average: 5 out of 5) Loading …Law & Order TV Show, the longest running crime series and the second longest running drama series in the history of American broadcast television, has entered its 18th season in the beginning of January, 2008. The show has won 1997 Emmy Award for Outstanding Drama series. Each hour long episode starts with a prologue-“In the criminal justice system, the people are represented by two separate, yet equally important, groups: the police, who investigate crime, and the district attorneys who prosecute the offenders. These are their stories.”
The first half of each show focuses on the police investigation and the second half follows the prosecution of crime in court. Detectives Joe Fontana and Edward Green under the guidance of precinct lieutenant Anita Van Buren, investigate the crime and arrest the criminals. After that the issues are taken to the Manhatten District Attorney’s office where Executive Assistant District Attorney Jack McCoy and Assistant District Attorney. Borgia discuss the crime and conduct the case in trial. Some matters are too complicated that they are rarely resolved easily. Crimes are being committed, public is suffering with agitation, investigations are very complicated, prosecutions are very much challenging and tough but even then the process of determining guilt and innocence is continue .
Watch Law & Order TV Show Online
Let’s Download Law & Order Episodes for free now.
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Jeremy Sisto
(1 votes, average: 4 out of 5) Loading … Most Recent Role: Det. Cyrus Lupo on Law & Order
Alias Name(s): Jeremy Sisto, Jeremy Merton Sisto
Gender: Male
Birthplace: Grass Valley, California
Birthday: 10-6-1974
Birth Name: Jeremy Merton Sisto
Jeremy Merton Sisto was born on October 6, 1974 to Reedy Gibbs and Richard Sisto. He was born in Grass Valley, California, and grew up in Chicago, Illinois. He has one sister, Meadow, who is also an actress. His mother Reedy is an actress too. His father is a jazz musician. Jeremy’s parents divorced when he was four years old. He became interested in acting when he was six. He started out doing plays at The Goodman Theater and also acted and directed plays in high school. His big break came when he was cast as Roberto in the film “Grand Canyon” when he was 16. Since his debut he has played numerous roles and recently even played the part of Jesus in the CBS mini-series “Jesus”. Jeremy is currently working on several film roles and also is a musician. His band is hoping to get an album out in the future.
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A new and old episode of Law & Order: Criminal Intent walk into a bar…
(1 votes, average: 5 out of 5) Loading …So, I’m watching a new episode of Law & Order: Criminal Intent on USA Network this past Sunday and, like all upstanding Americans do, I was flipping through the channels during a commercial break. As I passed by these channels at the speed of light my eye caught something on Bravo. It was another episode of Law & Order: Criminal Intent. Not a new episode, mind you, just a repeat of a repeat of a repeat that Bravo airs during their Sunday night block.
Now, you’re probably saying to yourself ‘So what? Cable channels are allowed to air whatever they damn well please.’ Well, after lecturing you about your tone of voice I would mention that you had a point. But, thanks to the wonderful world of corporate synergy, your argument would not meet the mustard. You see, Bravo is under the huge umbrella known as NBC Universal, which is the same company that owns USA Network, which is currently airing new episodes of Law & Order: CI on Sunday nights. With all of this information at hand the following question comes to mind:
Who the hell is programming these networks?
Isn’t this counterproductive for NBC Universal? Here they are, spending all of these millions of dollars to produce new episodes of the youngest Law & Order series and they are competing against themselves for the viewing public. I would think that both cable networks, as well as the Universal itself, would want people to tune into the newest episodes rather than one that has aired three or four times on Bravo. By setting up this scenario the corporation is saying ‘Look, we have these new episodes on USA. But, if you don’t like the new episodes and want to watch some older, better ones, tune into Bravo.’ As a star of the newest episodes, I certainly wouldn’t feel like my work was being supported by the people paying their salaries. As a member of USA Networks I’d feel that Universal wasn’t giving the show a chance to survive. As a viewer, I would just record the new episode to watch a classic episode I previously enjoyed. Since these networks still use the primitive Nielsen ratings system, this would not bode well for these new episodes.
I’m really not too sure why Bravo decided to keep old episodes of CI on its schedule while a new episodes airs on USA at the same time. Perhaps it was a lack of communication at the corporate level, or the fact that a replay of one of the network’s many reality shows doesn’t play well on Sunday nights. Frankly, both explanations don’t wash. It’s probably more of the fact that NBC Universal, in its continuing destruction of the network name, doesn’t really care one way or another. If the new episodes of CI fail, they still make money on the franchise. If they are a success, then all the better. What’s your opinion?
